{"id":38,"date":"2021-01-14T21:39:25","date_gmt":"2021-01-14T21:39:25","guid":{"rendered":"https:\/\/senzacorpo.com\/?page_id=38"},"modified":"2024-07-10T13:39:15","modified_gmt":"2024-07-10T13:39:15","slug":"progetto-senza-corpo","status":"publish","type":"page","link":"https:\/\/senzacorpo.com\/en\/progetto-senza-corpo\/","title":{"rendered":"Project Bodiless"},"content":{"rendered":"
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Traduction fran\u00e7aise ci-dessous<\/strong> \"\"<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On the flag in the menu <\/strong>\"\"<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Project Bodiless<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Bodiless _<\/strong> is a photographic project on the phenomenon of migration along the Balkan Route.<\/strong><\/p>

The clothes photographed were collected in Val Rosandra, in Italy, on the border with Slovenia, on some of the paths trodden by those people who, in order to survive, are forced to undertake the journey defined as \"The Game\"<\/em>, i.e. trying to cross borders without being turned back, with all the consequences.<\/p>

The desire to collect their clothes was born primarily with the aim of archiving elements and objects of an ongoing historical fact. What we are witnessing today will, in the future, be a tragic event of a past that we will strive to remember with great care and discernment.<\/p>

Using my tools of action, I investigate through images the status of migrant<\/em> and, through the approach taken, I highlight in parallel the disturbing behaviors of a fragmented and contradictory society such as ours.<\/p>

Why Bodiless?<\/strong> The absence of the body<\/em> is not only a reference to the human body that wore those clothes, before they were hastily removed from it in order to take with them the strong smell of the woods, of fear and of the often violent journey it has experienced; it is above all an allusion to the body<\/em> deprived of human value, rights and social role. Not only does that body<\/em> have to go through the most extreme stages of survival: hunger, thirst, cold, pain, fatigue, sleep. Not only is it violated and humiliated by physical and psychological torture, but it is also deprived of the civil and human rights that our society recognizes as universal rights.<\/p>

As we all know by now, thanks to the work of associations, activists and journalists who constantly denounce this reality, those bodies<\/em> are locked up in camps with no future prospects, in degrading hygienic and sanitary conditions, deprived of dignity, beaten and humiliated by the Croatian police, continuously rejected, some of them meet death, others go mad, others, if they make it, will carry this trauma inside themselves for life. \u00a0<\/p>

Why is each dress given a name? <\/strong>I decided to give each dress a name in order to remember that the clothes belonged to someone, unlike the anonymous quantity of articles we are used to buying in shops and on the Internet, which are very often produced using cheap labor, without guarantees or rights, in relocated companies that promote the impoverishment and precariousness of our social classes. These same products, in fact, represent a capital that has much more freedom and value than the human being.<\/p>

The clothes you see here, therefore, although at first glance their organization echoes the e-commerce on which we buy ours, are the clothes belonging to the people crossing the Balkan route. This juxtaposition between the aseptic world of consumerism and the real world od people aims to re-humanize the definition of migrant<\/em>. Nowadays, migrants are considered as a category with a fluid meaning: sometimes it is a problem, sometimes a resource, sometimes a political issue, sometimes an ideological, social, economic issue, etc. People who migrate are thus deprived of their intrinsic role as human beings, as individuals entitled to their own history, their own sensitivity, their own uniqueness, to become something much more anonymous, confused and subject to different interpretations: migrants<\/em>, precisely. It is enough to think that most of the times when we talk about them, we do not even make the most banal distinction between the origins of these people and, therefore, an Afghan is like a Syrian, a Syrian is like a Bengali, etc. This is because migrants<\/em>, before being someone, are something.<\/p>

Within these \"migrants\",<\/em> instead, there are many countries, many cultures, many families, many people with different ideas, emotions, feelings, personalities. Every detail of that \"migrants<\/em>\" is an individual, every detail of that \"migrants\" <\/em>is alive. There are our friends, our companions, our neighbors; there are the doctors, the artists, the mechanics, the teachers, the salesmen, the engineers...of this humanity. There is us.<\/p>

We are allowing the memories of entire generations to be memories of pain.<\/em><\/p>

Donate<\/strong><\/a><\/span><\/h3>

I would like Bodiless _<\/strong> to be not only a project of denunciation but to lead to action<\/a><\/span><\/strong>, so I have created a donation page where whoever wants can leave a free offer directly to theLinea d'Ombra Association.<\/strong><\/span><\/a>\u00a0 I volontari dell’associazione si occupano in prima persona, ogni giorno dell\u2019anno, in qualsiasi situazione meteorologica, di aspettare, accogliere e curare coloro che sono riusciti a passare il confine. Forniscono loro cure mediche, cibo e vestiti puliti. L\u2019associazione \u00e8 ugualmente in contatto con tutta la rete di sostegno nei Balcani, in particolare in Bosnia, dove \u00e8 focalizzato l’intervento in questo ultimo periodo.\u00a0<\/p>

The proceeds will be used to make the living conditions of the refugees less unbearable, to denounce their situation and to support aid operations along the Balkan Route.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"france-151928_640\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sans Corps<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sans corps<\/strong> est un projet photographique sur le ph\u00e9nom\u00e8ne de la migration le long de la Route des Balkans.<\/strong><\/p>

Les v\u00eatements photographi\u00e9s ont \u00e9t\u00e9 recueillis dans le Val Rosandra, en Italie, \u00e0 la\u00a0<\/span>fronti\u00e8re avec la Slov\u00e9nie, sur certains des chemins emprunt\u00e9s par ces personnes\u00a0<\/span>qui, pour survivre, sont oblig\u00e9es d’entreprendre le voyage d\u00e9fini comme “The\u00a0<\/span>Game”, c’est-\u00e0-dire la tentative de franchir les fronti\u00e8res sans \u00eatre rejet\u00e9es, avec\u00a0<\/span>toutes les cons\u00e9quences que cela implique.<\/span><\/p>

L’id\u00e9e de collecter leurs v\u00eatements est n\u00e9e principalement dans le but d’archiver des \u00e9l\u00e9ments et des objets d’un fait historique en cours. Ce dont nous sommes t\u00e9moins aujourd’hui sera, \u00e0 l’avenir, l’\u00e9v\u00e9nement tragique d’un pass\u00e9 dont nous
nous efforcerons de nous souvenir avec tant de soin et de discernement.<\/p>

En fonction de mes outils d’action, j’enqu\u00eate par l’image le statut du migrant et, par la d\u00e9marche adopt\u00e9e, je souligne en parall\u00e8le les comportements d\u00e9rangeants d’une soci\u00e9t\u00e9 fragment\u00e9e et contradictoire comme la n\u00f4tre.<\/p>

Pourquoi Sans Corps?<\/strong> L’absence du corps n’est pas seulement une r\u00e9f\u00e9rence au corps humain qui a port\u00e9 ces v\u00eatements, avant qu’ils ne soient \u00f4t\u00e9s \u00e0 la h\u00e2te pour enlever avec eux l’odeur pr\u00e9gnant de la for\u00eat, de la peur et du voyage souvent violent qu’il a v\u00e9cu. Il s’agit avant tout d’une allusion au corps priv\u00e9 de valeur humaine, de droits et de r\u00f4le social. Non seulement ce corps doit passer par les \u00e9tapes les plus extr\u00eames de la survie : faim, soif, froid, douleur, fatigue, sommeil.
Non seulement il est viol\u00e9 et humili\u00e9 par la torture physique et psychologique, mais il est \u00e9galement priv\u00e9 des droits civils et humains que notre soci\u00e9t\u00e9 reconna\u00eet comme des droits universels.<\/p>

Comme nous le savons tous aujourd’hui, gr\u00e2ce au travail des associations, des reporters et des journalistes qui d\u00e9noncent sans cesse cette r\u00e9alit\u00e9, ces corps sont enferm\u00e9s dans des camps sans perspectives d’avenir, dans des conditions hygi\u00e9niques et sanitaires d\u00e9gradantes, priv\u00e9s de dignit\u00e9, battus et humili\u00e9s par la police croate, continuellement rejet\u00e9. Certains trouvent la mort, d’autres deviennent fous, d’autres encore, s’ils s’en sortent, porteront ce traumatisme en eux pour la vie.<\/p>

Pourquoi les v\u00eatements sont-ils nomm\u00e9s ?<\/strong> J’ai d\u00e9cid\u00e9 de donner un nom \u00e0 chaque v\u00eatement pour rappeler qu\u2019ils appartenaient \u00e0 quelqu’un, contrairement \u00e0 la quantit\u00e9 anonyme d’articles que nous avons l’habitude d’acheter tant dans les magasins que sur Internet, qui sont tr\u00e8s souvent produits en exploitant une main- d’\u0153uvre bon march\u00e9, sans garanties ni droits, dans des entreprises d\u00e9localis\u00e9es qui favorisent l’appauvrissement et la pr\u00e9carisation de nos classes sociales aussi. Ces m\u00eames produits repr\u00e9sentent en effet un capital qui a beaucoup plus de libert\u00e9
et de valeur que l’\u00eatre humain.<\/p>

Les v\u00eatements que vous voyez ici, donc, bien qu’\u00e0 premi\u00e8re vue leur organisation fasse \u00e9cho au e-commerces sur lesquels nous achetons les n\u00f4tres, sont les v\u00eatements qui ont appartenu aux personnes qui ont travers\u00e9 la route des Balkans.
Ce contraste entre le monde aseptique de la consommation et le monde r\u00e9el fait de personnes vise \u00e0 r\u00e9-humaniser la d\u00e9finition du migrant. Aujourd’hui, les migrants sont consid\u00e9r\u00e9s comme une cat\u00e9gorie au sens fluide : parfois c’est un probl\u00e8me, parfois une ressource, parfois une question politique, parfois une question id\u00e9ologique, une question sociale, une question \u00e9conomique, etc. Les personnes qui \u00e9migrent sont ainsi priv\u00e9es de leur r\u00f4le intrins\u00e8que d’\u00eatres humains, d’individus ayant droit \u00e0 leur propre histoire, \u00e0 leur propre sensibilit\u00e9, \u00e0 leur propre unicit\u00e9, pour devenir quelque chose de beaucoup plus anonyme, confus et sujet \u00e0 diff\u00e9rentes interpr\u00e9tations : les migrants, pr\u00e9cis\u00e9ment. Il suffit de penser que la plupart du temps, lorsque nous parlons d’eux, nous ne faisons m\u00eame pas la distinction la plus banale entre l’origine de ces personnes et, par cons\u00e9quent, un Afghan est comme un Syrien, un Syrien est comme un Bengali, etc. Et cela parce que les migrants, avant d’\u00eatre quelqu’un, sont quelque chose.<\/p>

Dans ce “migrants”, au contraire, il y a beaucoup de pays, beaucoup de cultures, beaucoup de familles, beaucoup de gens avec des id\u00e9es, des \u00e9motions, des sentiments, des personnalit\u00e9s diff\u00e9rentes. Chaque d\u00e9tail de ce “migrants” est un individu, chaque d\u00e9tail de ce “migrants” est vivant. Il y a nos amis, nos compagnons, nos voisins ; il y a les m\u00e9decins, les artistes, les m\u00e9caniciens, les enseignants, les vendeurs, les ing\u00e9nieurs… de cette humanit\u00e9. Il y a nous.<\/p>

\u00abNous permettons que les souvenirs de g\u00e9n\u00e9rations enti\u00e8res soient des souvenirs de douleur.\u00bb<\/p>

Donations<\/span><\/a><\/h3>

Je voudrais que Sans Corps soit non seulement un projet de d\u00e9nonciation mais aussi un projet qui m\u00e8ne \u00e0 l’action<\/strong><\/span><\/a>, c’est pourquoi j’ai cr\u00e9\u00e9 une page de dons o\u00f9 ceux qui le souhaitent peuvent faire un don directement \u00e0 l’Association Linea d’Ombra<\/strong><\/span><\/a>. Les b\u00e9n\u00e9voles de l’association s’occupent en premi\u00e8re personne, tous les jours de l’ann\u00e9e, quelle que soit la situation m\u00e9t\u00e9orologique, d’attendre, accueillir et soigner ceux qui ont r\u00e9ussi \u00e0 passer la fronti\u00e8re. Ils leur fournissent des
soins m\u00e9dicaux, de la nourriture et des v\u00eatements propres. L’association est \u00e9galement en contact avec l’ensemble du r\u00e9seau de soutien dans les Balkans, en particulier en Bosnie.<\/p>

Les fonds seront utilis\u00e9s pour rendre les conditions de vie des r\u00e9fugi\u00e9s moins insupportables, pour d\u00e9noncer leur situation et pour soutenir les op\u00e9rations d’aide le long de la route des Balkans.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Traduction fran\u00e7aise ci-dessous On the flag in the menu Progetto Senza Corpo Senza Corpo \u00e8 un progetto fotografico sul fenomeno della migrazione lungo la Rotta Balcanica. I vestiti fotografati sono stati raccolti nella Val Rosandra, in Friuli, al confine con la Slovenia, in alcuni dei sentieri percorsi da quelle persone che, per sopravvivere, sono costrette […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":6}},"_links":{"self":[{"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":129,"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":855,"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/pages\/38\/revisions\/855"}],"wp:attachment":[{"href":"https:\/\/senzacorpo.com\/en\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}